Saturday, June 22, 2013
Many people have submitted a critical assessment of Ian Hickson about the true purpose of DRM. Given the number of people reported, maybe you've seen, but there are some very good points there. His main thesis is that the discussions about DRM tend to focus on the wrong things. The anti-DRM and DRM issues crowd can not
stop copying. DRM advocates say it is not true. Hickson agree that DRM does not stop copying, but argues that the purpose of DRM has never been about how to stop copying, but to take control of software and hardware tools that act content:



The purpose of DRM is not to prevent copyright violations.
The purpose of DRM is to give content providers creative edge over the playback.
content providers have an advantage over the content distributors, because dealers can not legally distribute copyrighted content without authorization of content creators. But if this were the only producers of content have leverage, what would happen is that users can get their content from content distributors and use reading systems for reading third-party content, leaving the 'as I wanted. He gives a few examples, like how DVD players force you to view ads "," related to the form of services like Netflix trying to limit movie simultaneously both devices, and how, if you buy a movie on iTunes, then you want to see in a non-iPhone, you'll have to buy it again. As mentioned none of these things are really about violations of copyright.

In all three cases, it has continued to violate the copyright. The three films are likely to be available on file sharing sites. The only people who stop doing something are

player

providers - are required to provide a user instead of being optimized for the user experience, puts potential future income first (forcing people to play ads, leaving the door open to pay more for more features later, the construction of the content of artificial obsolescence if you change the ecosystem, you have to buy the content again).


If you ask this
holders copyrights are soooooooo desperate anti-circumvention provisions of author, that's why. In the past, it was noted that there was no reason for the movie studios and record labels to be
locks anti-circumvention/digital centered, and if people violate copyright laws (eg, reproduction or distribution of copies), the copyright in force of the law and blankets. So why add a separate provision on any avoidance - and then be so focused on ensuring that there is the same arrangement in all the laws in the world? It seemed ridiculous, because the only advantage "extra" that seemed to give was outlawed
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